Lucio Fontana *
(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)
Crocefisso, 1961, signed and dated on the reverse L. Fontana 61, painted and glazed ceramic, 39.5 x 21 cm
The present work is registered at the Archivio Lucio Fontana, Milan, under no. 2317/8.
Provenance:
Collection Giovanni Rossello, Albisola
Acquired there in 2000 by the present owner
Private Collection, Italy
In the 1930s, Fontana started exploring the potentials of high-fired ceramics both in Albisola and Sèvres, creating a number of figurative works – still lifes, animals, female heads, and religious subjects – in which realism succumbs to the expressive tension of the material, the torsions and consolidations of which lend the sculptures their dynamism. The use of iridescence and non-naturalistic colours augments the antimimetic impact, as do the Neo-Baroque undertones repeatedly pointed out by art critics. Albisola was also the place where Fontana made his first ‘Cuttings’ in 1953/54, a long time before the more famous versions on canvas.
Expert: Maria Cristina Corsini
Maria Cristina Corsini
+39-06-699 23 671
maria.corsini@dorotheum.it
26.11.2014 - 18:00
- Dosažená cena: **
-
EUR 234.800,-
- Odhadní cena:
-
EUR 45.000,- do EUR 55.000,-
Lucio Fontana *
(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)
Crocefisso, 1961, signed and dated on the reverse L. Fontana 61, painted and glazed ceramic, 39.5 x 21 cm
The present work is registered at the Archivio Lucio Fontana, Milan, under no. 2317/8.
Provenance:
Collection Giovanni Rossello, Albisola
Acquired there in 2000 by the present owner
Private Collection, Italy
In the 1930s, Fontana started exploring the potentials of high-fired ceramics both in Albisola and Sèvres, creating a number of figurative works – still lifes, animals, female heads, and religious subjects – in which realism succumbs to the expressive tension of the material, the torsions and consolidations of which lend the sculptures their dynamism. The use of iridescence and non-naturalistic colours augments the antimimetic impact, as do the Neo-Baroque undertones repeatedly pointed out by art critics. Albisola was also the place where Fontana made his first ‘Cuttings’ in 1953/54, a long time before the more famous versions on canvas.
Expert: Maria Cristina Corsini
Maria Cristina Corsini
+39-06-699 23 671
maria.corsini@dorotheum.it
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění - Part 1 |
| Typ aukce: | Salónní aukce |
| Datum: | 26.11.2014 - 18:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 15.11. - 26.11.2014 |
** Kupní cena vč. poplatku kupujícího a DPH
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