Paolo Cotani *
![](https://fahrzeuge.dorotheum.com/typo3temp/assets/_processed_/4/6/csm_copyright-dummy_en_50c8912c05.webp)
(Rome 1940–2011)
Benda, 1975, signed and dated P. Cotani 1975 on the reverse, acrylic and bandage on canvas, 100 x 100 cm, framed
Photo certificate:
Associazione Archivio Paolo Cotani, Rome, 6 November 2015
Provenance:
Galleria La Bertesca, Genoa (stamp on the reverse)
European Private Collection
In 1975 the artist gave birth to his most famous cycle, that of the bandages which, even in its radical nature, does not avoid the issue of painting. On the contrary, it provides another variation via a constructive process in which the bandages are themselves supporting the canvas in a dialectic which impacts the nature of the surfaces. […] In a truly ritual bath, the bandages are painted twice: before being mounted on the canvas, and right after the definitive dressing, almost in a desire to conceal the material, which camouflages itself in a dialectical procedure devoid of any emphasis.
Alberto Fiz, Cotani, la maschera e l’ossimoro, in “Paolo Cotani. Tensioni”, Milan 2016
23.11.2017 - 17:00
- Dosažená cena: **
-
EUR 27.500,-
- Odhadní cena:
-
EUR 20.000,- do EUR 30.000,-
Paolo Cotani *
(Rome 1940–2011)
Benda, 1975, signed and dated P. Cotani 1975 on the reverse, acrylic and bandage on canvas, 100 x 100 cm, framed
Photo certificate:
Associazione Archivio Paolo Cotani, Rome, 6 November 2015
Provenance:
Galleria La Bertesca, Genoa (stamp on the reverse)
European Private Collection
In 1975 the artist gave birth to his most famous cycle, that of the bandages which, even in its radical nature, does not avoid the issue of painting. On the contrary, it provides another variation via a constructive process in which the bandages are themselves supporting the canvas in a dialectic which impacts the nature of the surfaces. […] In a truly ritual bath, the bandages are painted twice: before being mounted on the canvas, and right after the definitive dressing, almost in a desire to conceal the material, which camouflages itself in a dialectical procedure devoid of any emphasis.
Alberto Fiz, Cotani, la maschera e l’ossimoro, in “Paolo Cotani. Tensioni”, Milan 2016
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
Aukce: | Současné umění II |
Typ aukce: | Salónní aukce |
Datum: | 23.11.2017 - 17:00 |
Místo konání aukce: | Wien | Palais Dorotheum |
Prohlídka: | 11.11. - 23.11.2017 |
** Kupní cena vč. poplatku kupujícího a DPH
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