Angelo Maria Rossi, called Pseudo-Fardella (active in Tuscany in the second half of the 17th Century)
Angelo Maria Rossi, called Pseudo-Fardella (active in Tuscany in the second half of the 17th Century)
Mushrooms, plums, peaches, cherries, pears, asparagus, chestnuts and a parrot in a landscape, oil on canvas, 120 x 145 cm, framed
Literature:
G. Cirillo, Angelo Maria Rossi alias “Pittore di Carlo Torre”, in: Parma per l’Arte, Anno IX, Fascicolo 1-2, 2003, p. 77 - 79, fig. 1
Angelo Maria Rossi was active in Lombardy during the second half of the 17th Century. He was known as Pseudo Fardella (see L. Salerno, La natura morta italiana, Rome 1984, pp. 280/81) and was initially identified in 1996 as the “Pittore di Carlo Torre” (see G. Cirillo and G. Godi, Le Nature Morte del “Pittore di Carlo Torre” Pseduo Fardella, Parma 1996). This name is based on a dedication that was discovered on one of his paintings. In one painting that was attributed to the “Pittore di Carlo Torre”, Giuseppe Cirillo finally found the monogram A.M.R. and identified it as belonging to the painter Angelo Maria Rossi, who is listed in numerous inventories of collections in Milan. Angelo Maria Rossi was a still life painter, and the present composition bears witness to his repertoire.
17.10.2012 - 18:00
- Odhadní cena:
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EUR 30.000,- do EUR 40.000,-
Angelo Maria Rossi, called Pseudo-Fardella (active in Tuscany in the second half of the 17th Century)
Mushrooms, plums, peaches, cherries, pears, asparagus, chestnuts and a parrot in a landscape, oil on canvas, 120 x 145 cm, framed
Literature:
G. Cirillo, Angelo Maria Rossi alias “Pittore di Carlo Torre”, in: Parma per l’Arte, Anno IX, Fascicolo 1-2, 2003, p. 77 - 79, fig. 1
Angelo Maria Rossi was active in Lombardy during the second half of the 17th Century. He was known as Pseudo Fardella (see L. Salerno, La natura morta italiana, Rome 1984, pp. 280/81) and was initially identified in 1996 as the “Pittore di Carlo Torre” (see G. Cirillo and G. Godi, Le Nature Morte del “Pittore di Carlo Torre” Pseduo Fardella, Parma 1996). This name is based on a dedication that was discovered on one of his paintings. In one painting that was attributed to the “Pittore di Carlo Torre”, Giuseppe Cirillo finally found the monogram A.M.R. and identified it as belonging to the painter Angelo Maria Rossi, who is listed in numerous inventories of collections in Milan. Angelo Maria Rossi was a still life painter, and the present composition bears witness to his repertoire.
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Horká linka kupujících
Po-Pá: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
| Aukce: | Obrazy starých mistr? |
| Typ aukce: | Salónní aukce |
| Datum: | 17.10.2012 - 18:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 06.10. - 17.10.2012 |