Oskar Laske *
(Czernowitz 1874–1951 Vienna)
“Der Raub der Sabinerinnen” (The Rape of the Sabine Women), 1939, signed O. Laske, inscribed with Op. 140, oil on canvas, 90 x 130 cm, framed
Catalogued:
Lily Schulz-Laske and Elisabeth Kesselbauer-Laske, Oskar Laske,
der künstlerische Nachlaß, Vienna 1952, p. 8
Exhibited:
Oskar Laske, Gedächtnisausstellung im Künstlerhaus: Gemälde, Aquarelle und Bühnenbilder aus dem Nachlaß, samt der Laske-Collection der Theatersammlung der Nationalbibliothek, Vienna, March–June 1952
On the stretcher label: Künstlerhaus Vienna, 1952/1374
We are grateful to Mr. Paul Rachler, Künstlerhaus Vienna, for his kind assistance.
Provenance:
Private Collection, Vienna
...The impact that the bird’s-eye view has on the level of form results in a kind of “philosophical distance” from the everyday phenomena of the world on the level of content. This world is
regarded more as a curiosity, seeming to be full of satirical and fantastic traits which only become recognisable from a distance. In addition to Laske’s important formal references, which are expressed again and again in his other compositions and are yet further developed in Laske’s own formal language, it is, therefore, above all the common philosophical component of his outlook on the world that is to be emphasised. This outlook describes a “theatrum mundi” located within a deep, humorous humanity from a perspective that is both literally and figuratively elevated.
From: Cornelia Reiter, Oskar Laske, ein vielseitiger Individualist, Verlag der Galerie Welz, 1995
Expert: Mag. Elke Königseder
Mag. Elke Königseder
+43-1-515 60-358
elke.koenigseder@dorotheum.at
26.11.2019 - 17:00
- Odhadní cena:
-
EUR 30.000,- do EUR 50.000,-
Oskar Laske *
(Czernowitz 1874–1951 Vienna)
“Der Raub der Sabinerinnen” (The Rape of the Sabine Women), 1939, signed O. Laske, inscribed with Op. 140, oil on canvas, 90 x 130 cm, framed
Catalogued:
Lily Schulz-Laske and Elisabeth Kesselbauer-Laske, Oskar Laske,
der künstlerische Nachlaß, Vienna 1952, p. 8
Exhibited:
Oskar Laske, Gedächtnisausstellung im Künstlerhaus: Gemälde, Aquarelle und Bühnenbilder aus dem Nachlaß, samt der Laske-Collection der Theatersammlung der Nationalbibliothek, Vienna, March–June 1952
On the stretcher label: Künstlerhaus Vienna, 1952/1374
We are grateful to Mr. Paul Rachler, Künstlerhaus Vienna, for his kind assistance.
Provenance:
Private Collection, Vienna
...The impact that the bird’s-eye view has on the level of form results in a kind of “philosophical distance” from the everyday phenomena of the world on the level of content. This world is
regarded more as a curiosity, seeming to be full of satirical and fantastic traits which only become recognisable from a distance. In addition to Laske’s important formal references, which are expressed again and again in his other compositions and are yet further developed in Laske’s own formal language, it is, therefore, above all the common philosophical component of his outlook on the world that is to be emphasised. This outlook describes a “theatrum mundi” located within a deep, humorous humanity from a perspective that is both literally and figuratively elevated.
From: Cornelia Reiter, Oskar Laske, ein vielseitiger Individualist, Verlag der Galerie Welz, 1995
Expert: Mag. Elke Königseder
Mag. Elke Königseder
+43-1-515 60-358
elke.koenigseder@dorotheum.at
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Moderní |
| Typ aukce: | Salónní aukce |
| Datum: | 26.11.2019 - 17:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 16.11. - 26.11.2019 |
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