Roberto Crippa *
(Monza 1921–1972 Milan)
La palizzata, 1959, signed, titled and dated on the reverse, polimateric and mixed media on board, 200 x 200 cm
This work is accompanied by a photo certificate of authenticity signed by Roberto Crippa Jr. (dated 14.11.1989).
Provenance:
Iolas Gallery, New York (inscription on the reverse)
European Private Collection
Exhibited:
Milan, Galleria Il Mappamondo, Roberto Crippa, 1990, exh. cat. pp. 59–61, pl. 7 with ill. (texts by Luigi Cavallo, Gianni Dova and Enrico Baj)
Literature:
M. Tapié, Collages de Crippa, article on XXe Siècle Review no. 34, Paris, June 1970, p. 125
“Paintings nowadays tend to grow and swell. We are generally less interested in colours than in the resounding force of matter. Painting thus becomes more and more similar to sculpture. In Crippa’s oeuvre they have merged [...]. What is striking about Crippa, both in his painting and his works with cork, iron, steel, bronze or silver, is the ruthlessness of his universe. His world is in thrall to barbarian mythologies. It is populated by monstrous deities.”
(Giorgio Kaisserlian, “Roberto Crippa artista d’avanguardia”, Rotosei, Milan, 29 April 1960)
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
25.06.2020 - 16:00
- Dosažená cena: **
-
EUR 25.300,-
- Odhadní cena:
-
EUR 20.000,- do EUR 30.000,-
Roberto Crippa *
(Monza 1921–1972 Milan)
La palizzata, 1959, signed, titled and dated on the reverse, polimateric and mixed media on board, 200 x 200 cm
This work is accompanied by a photo certificate of authenticity signed by Roberto Crippa Jr. (dated 14.11.1989).
Provenance:
Iolas Gallery, New York (inscription on the reverse)
European Private Collection
Exhibited:
Milan, Galleria Il Mappamondo, Roberto Crippa, 1990, exh. cat. pp. 59–61, pl. 7 with ill. (texts by Luigi Cavallo, Gianni Dova and Enrico Baj)
Literature:
M. Tapié, Collages de Crippa, article on XXe Siècle Review no. 34, Paris, June 1970, p. 125
“Paintings nowadays tend to grow and swell. We are generally less interested in colours than in the resounding force of matter. Painting thus becomes more and more similar to sculpture. In Crippa’s oeuvre they have merged [...]. What is striking about Crippa, both in his painting and his works with cork, iron, steel, bronze or silver, is the ruthlessness of his universe. His world is in thrall to barbarian mythologies. It is populated by monstrous deities.”
(Giorgio Kaisserlian, “Roberto Crippa artista d’avanguardia”, Rotosei, Milan, 29 April 1960)
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění II |
| Typ aukce: | Salónní aukce |
| Datum: | 25.06.2020 - 16:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 18.06. - 25.06.2020 |
** Kupní cena vč. poplatku kupujícího a DPH
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