Attributed to Alexander Roslin
(Malmö 1718–1793 Paris)
Portrait of a Lady,
oil on canvas, 65 x 56 cm, framed
The present portrait is very close to some early works by the artist and could well be one of Roslin’s first portraits executed in France.
Alexander Roslin was born in Sweden, where he initially trained before travelling to Italy in 1750 and eventually settled in Paris in 1752. At an early date he was befriended by François Boucher, Maurice Quentin de la Tour, and the celebrated antiquarian, Comte de Caylus. He rapidly established his reputation as a portrait painter at the court of Louis XV. He was one of the most fashionable painters in France, renowned for his extraordinary technical skill, especially in the depiction of drapery, and his intimate characterizations of his sitters. His cool tones, keen observation, and rococo grace made him the principal rival of the great official portraitists in France, notably Elisabeth Vigée Lebrun and Jean Marc Nattier. Having received the Order of Vasa in 1772 from one of his most important patrons, the enlightened King Gustavus III of Sweden, which elevated him to the rank of the nobility, he began to include ‘le Chevalier’ in his signature. The nobility of Russia, Austria, Sweden and Poland were equally enthusiastic in their pursuit of his redoubtable talents. His prodigious output, despite an exceptionally meticulous technique, made him one of the most celebrated, and certainly one of the wealthiest artists in Europe.
Esperto: Dr. Alexander Strasoldo
Dr. Alexander Strasoldo
+43 1 515 60 403
old.masters@dorotheum.com
18.10.2016 - 18:00
- Stima:
-
EUR 10.000,- a EUR 12.000,-
Attributed to Alexander Roslin
(Malmö 1718–1793 Paris)
Portrait of a Lady,
oil on canvas, 65 x 56 cm, framed
The present portrait is very close to some early works by the artist and could well be one of Roslin’s first portraits executed in France.
Alexander Roslin was born in Sweden, where he initially trained before travelling to Italy in 1750 and eventually settled in Paris in 1752. At an early date he was befriended by François Boucher, Maurice Quentin de la Tour, and the celebrated antiquarian, Comte de Caylus. He rapidly established his reputation as a portrait painter at the court of Louis XV. He was one of the most fashionable painters in France, renowned for his extraordinary technical skill, especially in the depiction of drapery, and his intimate characterizations of his sitters. His cool tones, keen observation, and rococo grace made him the principal rival of the great official portraitists in France, notably Elisabeth Vigée Lebrun and Jean Marc Nattier. Having received the Order of Vasa in 1772 from one of his most important patrons, the enlightened King Gustavus III of Sweden, which elevated him to the rank of the nobility, he began to include ‘le Chevalier’ in his signature. The nobility of Russia, Austria, Sweden and Poland were equally enthusiastic in their pursuit of his redoubtable talents. His prodigious output, despite an exceptionally meticulous technique, made him one of the most celebrated, and certainly one of the wealthiest artists in Europe.
Esperto: Dr. Alexander Strasoldo
Dr. Alexander Strasoldo
+43 1 515 60 403
old.masters@dorotheum.com
Hotline dell'acquirente
lun-ven: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
Asta: | Dipinti antichi |
Tipo d'asta: | Asta in sala |
Data: | 18.10.2016 - 18:00 |
Luogo dell'asta: | Wien | Palais Dorotheum |
Esposizione: | 08.10. - 18.10.2016 |