Maerten Boelema, called De Stomme
(Leeuwarden 1611 - circa 1664 Haarlem?)
A still life with a ‘Roemer’ of wine, a peeled lemon and a knocked-over tazza,
oil on panel, 61 x 48.5 cm, framed
Provenance:
J. Rombach Collection, Amsterdam (circa 1961, as Pieter Claesz.);
D. Vaarties Gallery, Rotterdam (after 1961);
sale, Christie’s, Amsterdam, 11 May 2005, lot 46
The oeuvre of the deaf-mute artist Maerten Boelema belongs to the group of so-called ‘monochromatic’ still lifes, a genre that had been developed from the 1630s onwards in Haarlem by Pieter Claesz. and Willem Claesz. Heda. The pictures of this genre can be divided into “ontbijtjes” (breakfasts) and “banketjes” (banquets). Objects are depicted in plain, harmonious arrangements on a table and rendered in a limited, tonal palette. Boelema, who joined Heda’s workshop in Haarlem in 1642, inherited his master’s sense of creating seemingly simple, yet highly sophisticated arrangements of more or less precious objects. There is no room for coincidence in these compositions; everything is subject to the painter’s masterful handling of perspective and technical skills in rendering the various surface textures.
Esperto: Dr. Alexander Strasoldo
Dr. Alexander Strasoldo
+43 1 515 60 403
old.masters@dorotheum.com
18.10.2016 - 18:00
- Prezzo realizzato: **
-
EUR 27.500,-
- Stima:
-
EUR 12.000,- a EUR 16.000,-
Maerten Boelema, called De Stomme
(Leeuwarden 1611 - circa 1664 Haarlem?)
A still life with a ‘Roemer’ of wine, a peeled lemon and a knocked-over tazza,
oil on panel, 61 x 48.5 cm, framed
Provenance:
J. Rombach Collection, Amsterdam (circa 1961, as Pieter Claesz.);
D. Vaarties Gallery, Rotterdam (after 1961);
sale, Christie’s, Amsterdam, 11 May 2005, lot 46
The oeuvre of the deaf-mute artist Maerten Boelema belongs to the group of so-called ‘monochromatic’ still lifes, a genre that had been developed from the 1630s onwards in Haarlem by Pieter Claesz. and Willem Claesz. Heda. The pictures of this genre can be divided into “ontbijtjes” (breakfasts) and “banketjes” (banquets). Objects are depicted in plain, harmonious arrangements on a table and rendered in a limited, tonal palette. Boelema, who joined Heda’s workshop in Haarlem in 1642, inherited his master’s sense of creating seemingly simple, yet highly sophisticated arrangements of more or less precious objects. There is no room for coincidence in these compositions; everything is subject to the painter’s masterful handling of perspective and technical skills in rendering the various surface textures.
Esperto: Dr. Alexander Strasoldo
Dr. Alexander Strasoldo
+43 1 515 60 403
old.masters@dorotheum.com
|
Hotline dell'acquirente
lun-ven: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
| Asta: | Dipinti antichi |
| Tipo d'asta: | Asta in sala |
| Data: | 18.10.2016 - 18:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 08.10. - 18.10.2016 |
** Prezzo d’acquisto comprensivo dei diritti d’asta acquirente e IVA
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