(Haarlem 1562–1638)
Loth and his daughters,
oil on panel, 77.5 x 101 cm, framed

Provenance:
possibly from the Collection of Arnoldus Borwater, 18th Century;
sale, Kunft – Schilders Confrerie – Kamer, The Hague, 20 and 21 July 1756, lot 124 (as Korn. Van Haarlem);
sale, Christie, Manson & Woods, London, 9 May 1952, lot 153 (as Primaticcio);
where acquired by Gresham (handwritten note in the sale catalogue);
Federico Zeri collection, Mentana (Rome), from circa 1952;
Private European collection

Exhibited:
Naples, Fontainebleau e la maniera italiana, Centro Italiano di Arte Cultura Spettacolo, Florence 1952, p. 54 cat. no. 105 (as Cornelis Cornelisz. van Haarlem)

Literature:
Fontainebleau e la maniera italiana, exhibition catalogue, Naples 1952, p. 54 cat. no. 105, tav. 92 (as Cornelis Cornelisz. van Haarlem);
L. Ferrara, Fontainebleau e la “maniera” italiana, in: Nuova Antologia di scienze, lettere ed arti, 1952, vol. 456, p. 443, not illustrated (as Cornelis Cornelisz. van Haarlem);
A. Pigler, Barockthemen: eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, Budapest 1956, vol. 1, p. 47, not illustrated (as Cornelis Cornelisz. van Haarlem);
F. Zeri, Orto aperto, Milan 1990, p. 70, illustrated p. 69 fig. 37 (as Cornelis Cornelisz. van Haarlem);
P. J. J. van Thiel, Cornelis Cornelisz van Haarlem, a monograph and catalogue raisonné, Ghent 1999, p. 175, footnote 80, fig. 75 (as Anonymous, possibly his pupil)