(Rome 1927–2021 Orvieto)
La transmutation des amants, 1962, signed and dated; signed, dated and titled on the reverse, mixed media on canvas, 162 x 130 cm, framed

Provenance:
Felix Landau Gallery, Los Angeles (label on the reverse)
Private Collection, Rome
Studio Mirabello, Milan (label and stamp on the reverse)
Bruno Tartaglia, Rome (label on the reverse)
Private Collection, Genoa
Tornabuoni Arte, Florence
B. Collection, Brescia

Exhibited:
Paris, Donner a voir 2, Galerie Creuze, 1–22 December 1962 (label on the reverse)
New York, Perilli Paintings, Galleria Bonino, 20 November-20 December 1963, exh. cat. no. 2 with ill.
Los Angeles, Gallery Selections, Felix Landau Gallery, 20 July-15 August 1964
Los Angeles, Achille Perilli, Felix Landau Gallery, 3–29 May 1965
Rome, Achille Perilli. Opere dal 1947 ad oggi, Galleria Nazionale d’Arte Moderna-Ala Cosenza, 10 June-25 September 1988, exh. cat. p. 115,
no. 38 with ill.
Darmstadt, Achille Perilli. L’espressività del segno, Mathildenhöhe Darmstadt,
15 May-3 July 2005, exh. cat. p. 82 with ill.

Literature:
E. Carmi, La copertina, Rivista Italsider”, year IV, no. 3, Genoa, June-July, p.
1, cover ill.
Achille Perilli. Ölbilder-Acquarelle-Zeichnungen, catalogue of the exhibition held at the Kunstverein, Freiburg, 19 April-17 May 1964
M. Fagiolo dell’Arco, Rapporto 60. Le arti oggi in Italia, Bulzoni Editore 1966,
p. 123
G. Gassiot Talabot, La figuration narrative, in “Bande dessinee et figuration narrative, Musee des arts decoratifs, paris 1967, p. 232, no. 7
R. Lambarelli (ed.), Dadaismo, astrazione geometrica, lirismo, “il potere locale”, year XXII, no. 11–12, Rome 1988, p. 61
Achille Perilli Catalogo Generale dei dipinti e delle sculture 2007–2016,
Silvana Editoriale, Cinisello Balsamo, 2019, no. 468 with ill.