Giuseppe Maria Galeppini
![Giuseppe Maria Galeppini - Old Master Paintings Giuseppe Maria Galeppini - Old Master Paintings](/fileadmin/lot-images/38A140409/normal/giuseppe-maria-galeppini-3893968.jpg)
(active in Forlì, 1625–c. 1653),
Allegory of Winter;
oil on canvas, 98 x 79 cm, framed
Giuseppe Maria Galeppini was a member of a noble family of Forlì who trained with Guercino’s brother-in law, Bartolomeo Gennari. In 1649, Galeppini was among a select group of studio assistants, including Bartolomeo, that accompanied Guercino to Sassuolo, where the Duke of Modena had invited the painter. More than half of Galeppini’s small surviving oeuvre consists of replicas and variants of Guercino’s paintings. This previously unknown example is among the most ingenious of these adaptations. Galeppini’s Allegory of Winter is derived, with variants, from Guercino’s half-length Isaiah, painted in 1648, now in a private collection, and this connection suggests that the Allegory of Winter must date from the same time, or shortly afterwards (see L. Salerno, I dipinti del Guercino, Rome, 1988, p. 327, no. 255). In each work one half of the protagonist’s face is strongly illuminated while the other remains in shadow, so that the illumination at the side of the nose is emphatically contrasted with an area of dark. The resemblance between the two canvases is not simply in the head, half turned to the right, but also in the hands, which both figures hold up in front of them, the left raised slightly higher than the right.
09.04.2014 - 18:00
- Estimate:
-
EUR 10,000.- to EUR 15,000.-
Giuseppe Maria Galeppini
(active in Forlì, 1625–c. 1653),
Allegory of Winter;
oil on canvas, 98 x 79 cm, framed
Giuseppe Maria Galeppini was a member of a noble family of Forlì who trained with Guercino’s brother-in law, Bartolomeo Gennari. In 1649, Galeppini was among a select group of studio assistants, including Bartolomeo, that accompanied Guercino to Sassuolo, where the Duke of Modena had invited the painter. More than half of Galeppini’s small surviving oeuvre consists of replicas and variants of Guercino’s paintings. This previously unknown example is among the most ingenious of these adaptations. Galeppini’s Allegory of Winter is derived, with variants, from Guercino’s half-length Isaiah, painted in 1648, now in a private collection, and this connection suggests that the Allegory of Winter must date from the same time, or shortly afterwards (see L. Salerno, I dipinti del Guercino, Rome, 1988, p. 327, no. 255). In each work one half of the protagonist’s face is strongly illuminated while the other remains in shadow, so that the illumination at the side of the nose is emphatically contrasted with an area of dark. The resemblance between the two canvases is not simply in the head, half turned to the right, but also in the hands, which both figures hold up in front of them, the left raised slightly higher than the right.
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Auction: | Old Master Paintings |
Auction type: | Saleroom auction |
Date: | 09.04.2014 - 18:00 |
Location: | Vienna | Palais Dorotheum |
Exhibition: | 29.03. - 09.04.2014 |